A surface you stop thinking about

Rated 4.9/5 by professional and independent artists

A surface you stop thinking about

Drum-tight, ready to paint, and it stays that way. So you can get on with the painting.

Rating 4.9
Rating 4.9
Rating 4.9
Rating 4.9
Rating 5
Rating 5
Free shipping

You shouldn't have to think about your canvas

Most artists lose the first few hours to the surface. Gessoing. Sanding. Working around a slack corner. Re-stretching something that was tight last month.

None of that is painting.

Three steps

Pick your surface

Five surfaces. Choose by what you paint, not by what it is made of.

Open the box and paint

No priming. No gesso. No stretching. It arrives ready.

It stays tight

Same tension in year five as on day one.

Five surfaces. Pick by what you paint.

Tap any one to see the detail.

Deep Edge | Box Canvas Deep EdgeBox Canvas40mm deep. Hangs straight on the wall, no frame needed. Oil · Acrylic · Mixed media
Deep Edge | Box Canvas
★★★★★
The best canvas is one you stop thinking about because it simply lets you paint. For me, that is exactly what ACF provides. My paintings develop slowly through layers of glazing, observation and refinement, so I need a canvas I can trust completely.
Michael, verified buyer

Best for

  • Oil
  • Acrylic
  • Mixed media
  • 40mm depth, finished edges, ready to hang unframed
  • Drum-tight tension that does not relax
  • Ready to paint, no priming needed
  • Square corners, lies flat against the wall

Depth

  • 40mm deep edge
See the full range
Thin Edge|Stretch Canvas Thin EdgeStretch Canvas20mm slim. Built for framing, and for working in volume. Acrylic · Fluid art and pouring · Classes and events
Thin Edge|Stretch Canvas
★★★★★
The quality is top notch. Tight as a drum, corners bevelled to perfection. I needed something special as this is for a commission, and I cannot believe how quickly they arrived.
Sarah Parry Jones, verified buyer

Best for

  • Acrylic
  • Fluid art and pouring
  • Classes and events
  • 20mm profile, sits neatly inside a standard frame
  • Sold in multi-packs for volume work
  • Same drum-tight surface as the deep edge
  • Shapes available: circles, ovals and more

Depth

  • 20mm thin edge
See the full range
Box Board Canvas Box Board CanvasCanvas over a rigid board. No bounce under the brush. Oil · Fine detail · Heavy texture · Charcoal and graphite
Box Board Canvas
★★★★★
It is a beautifully smooth working surface and the firm backing makes painting detail much easier. Love this product and delivery is so efficient.
Philip Duffy, verified buyer

Best for

  • Oil
  • Fine detail
  • Heavy texture
  • Charcoal and graphite
  • Rigid board behind the canvas, no give under pressure
  • Holds fine detail and hard brushwork
  • 40mm deep edge, hangs unframed
  • Also available as the bare board, no canvas

Depth

  • 40mm deep edge
Watercolour Canvas Watercolour CanvasTakes water without cockling. Frame it without glass. Watercolour · Ink · Gouache
Watercolour Canvas
★★★★★
Absolutely wonderful canvas to work on with watercolour. They stay as tight as a drum, and are ready to paint straight onto, or wet the surface first and work wet into wet. Easy to lift paint out and to re-work a dried area.
Sue Scarth, verified buyer

Best for

  • Watercolour
  • Ink
  • Gouache
  • Cold-pressed feel, absorbs a wash and holds the pigment
  • Lift out and rework a dried area without damage
  • No shrinkage, stays tight
  • No glass needed to finish and hang
Framed Sets Framed SetsCanvas and oak frame together. Sold in sets of 2. Oil · Acrylic · Mixed media
Framed Sets
★★★★★
These canvases and frames are superb. They are really well made, and so protectively packaged it took me twenty minutes with my arthritic hands to open the parcel, but oh, was it worth it.
Ellen Ging, verified buyer

Best for

  • Oil
  • Acrylic
  • Mixed media
  • Canvas lifts out in seconds, four screws
  • Perfect fit, no packing or shimming
  • Raw oak, stain or paint it to suit the work
  • Gallery-ready the moment you finish

Frame depths

  • 43mm deep edge
  • 23mm thin edge
  • 32mm circle
See the full range

The surface

Smooth, with tooth

Enough grip to hold the paint. Smooth enough for an unbroken line and fine detail.

No ridge at the edge, so pigment carries right into the corner.

The smoothness coupled with slight tooth and tautness of the surface proved ideal. Just enough give to give me good feedback to my fingers without being sloppy.

Dermod Ruddock, verified buyer
★★★★★ Rated 4.9/5 by artists in the UK, USA and South Africa

Verified Reviews From Real Artists

I wasn’t sure at first, now it’s my go-to surface.

I wasn’t sure at first, now it’s my go-to surface.

I didn’t know what to expect, but the surface is robust with a subtle texture that really suits my style. The frame also looks excellent and was simple to fit.
The tension is spot-on, and they finish beautifully.

The tension is spot-on, and they finish beautifully.

They feel great to work on, the tension is excellent, and they look right once framed. Consistent, serious quality.
Good enough for exhibition submission.

Good enough for exhibition submission.

I knew the quality would be good from previous orders. I wasn’t expecting exceptional, but that’s what I got. I’m submitting two paintings to a summer exhibition, and both are on these canvases and frames.
A genuine game changer.

A genuine game changer.

I was blown away by the quality. The surface is a joy to paint on and feels noticeably more solid than my usual canvases. Easy to remove from the frame and consistently excellent results.
Handles heavy medium without warping.

Handles heavy medium without warping.

Perfect for heavy paint and layered work. No warping of the panel or frame, just a solid, stable surface throughout.
It never sags, I won’t use anything else.

It never sags, I won’t use anything else.

I paint and sell constantly, and the canvas never sags. It’s paint-ready, reliable, and practical to work with every day.
I wasn’t sure at first, now it’s my go-to surface.

I wasn’t sure at first, now it’s my go-to surface.

I didn’t know what to expect, but the surface is robust with a subtle texture that really suits my style. The frame also looks excellent and was simple to fit.
The tension is spot-on, and they finish beautifully.

The tension is spot-on, and they finish beautifully.

They feel great to work on, the tension is excellent, and they look right once framed. Consistent, serious quality.
Good enough for exhibition submission.

Good enough for exhibition submission.

I knew the quality would be good from previous orders. I wasn’t expecting exceptional, but that’s what I got. I’m submitting two paintings to a summer exhibition, and both are on these canvases and frames.
A genuine game changer.

A genuine game changer.

I was blown away by the quality. The surface is a joy to paint on and feels noticeably more solid than my usual canvases. Easy to remove from the frame and consistently excellent results.
Handles heavy medium without warping.

Handles heavy medium without warping.

Perfect for heavy paint and layered work. No warping of the panel or frame, just a solid, stable surface throughout.
It never sags, I won’t use anything else.

It never sags, I won’t use anything else.

I paint and sell constantly, and the canvas never sags. It’s paint-ready, reliable, and practical to work with every day.
Look what these talented artists have to say

Independant reviews

How tough is an ACF canvas exactly?

Watch Mark tea-bag our canvas

@that_marky

Daniel Wilson UK Review

Daniel Wilson works in acrylics, charcoal and oils on ACF.

@dwilsonarts

Agnieszka Elliott USA Review

Agnieszka Elliott, award-winning oil painter, USA.
Unsolicited. One of the first reviews ACF has received from America.
@papillonfineart

Andy Caddick UK Review

UK Review of ACF Canvas
by: @andy_caddick_art_studio Andy will be trying his regular style on the next batch he just purchased.
Thank you for the amazing review Andy.

This is not canvas or linen

Artists who come from linen say it takes a couple of paintings to adjust. Then they do not go back.
Watch it work, and decide for yourself.

As seen in

Publications that have featured ACF Canvasses

The artists who use and endorse ACF, in their own words.

Meet the talented artists who inspire us and bring creativity to life on ACF canvas. You are welcome to reach out to the artists via their Instagram links and say hello, or ask a canvas question - they are an amazing bunch!

Marion Dutton
Marion Dutton
Marion Dutton
Marion Dutton

Marion Dutton

Oil Art Teacher: MazArt Academy & YouTube (Questions about oils welcome)
@MazArtStudio
ACF canvases have become a favourite in my studio, especially the thin oak frame sets. The ultra-smooth surface suits the level of detail I aim for in my oil paintings, and the quality really shows in the final result. The oak frame gives each piece a refined, gallery-ready finish straight away.
Amber Tyldesley
Amber Tyldesley
Amber Tyldesley
Amber Tyldesley

Amber Tyldesley

Professional Wildlife Artist (Questions about oils and acrylics welcome)
@amber_tyldesley_art
ACF Canvases have made me love the painting process even more. The smooth surface and tension make even the smallest details possible. It often used to feel like my canvases were fighting against me, but thankfully this is no longer the case. Every brushstroke I make on an ACF canvas goes onto the surface just as I'd hoped. It makes the whole process so much more relaxed and enjoyable - I can't wait to use more of them!
Zulfi Alarakhia 'RemmBrat'
Zulfi Alarakhia 'RemmBrat'
Zulfi Alarakhia 'RemmBrat'
Zulfi Alarakhia 'RemmBrat'

Zulfi Alarakhia 'RemmBrat'

Creating Art to Celebrate Women. (Questions about acrylics and dry brush welcome)
@remmbrat
When I received my first canvas, I knew it would be a game changer & coming from someone who’s purchased from some big names, I’m never going back! Premium quality is an understatement, ACF, I salute you.
Daniel Wilson
Daniel Wilson
Daniel Wilson
Daniel Wilson

Daniel Wilson

Award-winning international wildlife artist, biologist, and conservationist. (Questions about oils, acrylics, and charcoal welcome)
@dwilsonarts
I really enjoyed working on ACFcanvasses. it’s my new favourite material to work on! I’m using oil paints and these canvases seem to fit perfectly with my process and the way that I paint. They are really grippy but also smooth at the same time so it’s great for holding the paint but still lets me get small details.
Monique Lindsay
Monique Lindsay
Monique Lindsay
Monique Lindsay

Monique Lindsay

Oil, Acrylic and Watercolour Artist - Questions on all welcome
@mlindsay.gallery
I have been using ACFCANVASSES for a while now. I highly recommend all artists who have not yet experienced them to give them a try. You will be truly impressed with them, and the quality is superior to other makes of canvas on the market.
Lizelle Struwig
Lizelle Struwig
Lizelle Struwig
Lizelle Struwig

Lizelle Struwig

South African artist with a passion for oil painting. (Questions about oils welcome)
@lizellestruwigart
I’m a detail-driven oil painter, and ACF canvases not only enhance and refine my finished artworks with their fine texture and exceptional quality, but also make every step of the creative process deeply enjoyable.
Painting by Sarah Parry Jones on an ACF deep edge oak framed canvas

Royal Academy Summer Exhibition

Work you would put your name to

This is year two of being a full time artist. I began using ACF six months ago, and now they are the only canvas I could possibly work with.

Last week I plucked up the courage to send my entry to the Royal Academy Summer Exhibition. It had to be the deep oak edge canvas. Almost too good to paint on. But I did.

Sarah Parry Jones, verified buyer